My engagement in fiber crafting is informed by Queer theory. I mine the potential of materials and techniques to disrupt dominant notions of gender and to reclaim and reimagine gender as performative. These materials invoke a campy aesthetic that brings to mind the many Queer fiber artists I find inspirational. I use crafts as political fuel to emancipate myself and my viewers from a heteronormative society and use art exhibitions to challenge binary categorizations of gender and sexuality. With my crafting tools, such as embroidery floss or needles, I intentionally remake and rewrite dominant narratives stitched throughout our culture.